Best known for his text-based work, Trackie recontextualises our relationship with everyday colloquialisms. His punchy take on sculpture, textiles and print mix with his love of Scottish patter to create a visual best described as ‘one part tongue-in-cheek, an ounce of sarcasm and a pint of Tennent’s Lager’.

‘The Sellout Show’ comemorates Trackie’s brief move to London to set up shop. Very much in conflict with the idea of the London ‘art world’, Trackie explains ‘My experience of London galleries thus far: they’re all out to make a pretty penny, ‘championing working class artists’ merely buzzwords, filled with empty promises. I want to create a space that champions affordable and tangible art, for everyone. This is very much an anti-exhibition.’